Fanning Sessions My mother died almost one year ago and my family will mark that first anniversary as she’d have wanted: a quiet mass for the handful, a decent feed afterwards and then a long trade of general tittle-tattle during which we’ll remind ourselves of the quirks that set her apart and the exacting standards... Continue Reading →
PAUL SIMON’S ‘ HEARTS AND BONES’.
PaulSimon.com Paul Simon’s 1983 album, ‘Hearts And Bones’, is easily one of my favourite elpees even if it took me many years to realise just how magnificent it is. Released in the same year as R.E.M.’s ‘Murmur’, ‘War’ by U2 and New Order’s ‘Power, Corruption And Lies’, it was certainly lost in the hail of... Continue Reading →
CATCHERS: CALL THE MIDWIFE
One of the more interesting, eloquent and barely referenced bands to have emerged from Northern Ireland during the 1990s are Catchers, who first took shape within the Portrush-Coleraine-Portstewart triangle on the Derry coastline and rode in the Setanta Records colours, for whom they made two fine but often over-looked elpees. And in many respects their... Continue Reading →
STEELY DAN AND THE GHOST OF PERRY COMO
Having wondered if I’d ever see one of my favourite bands perform live, I’ve now been rendered dumbstruck by Steely Dan twice in sixteen months. And they’ve been every bit as magnificent on the live stage as I long imagined they might be even if, truth be told, I’d probably arrived at that conclusion well... Continue Reading →
MICRODISNEY: THE END
If anything, they’re probably the best accidental band of our time, a haphazard and unlikely collision – or collusion ? - of reference, diffidence and influence that in theory, and maybe every other way too, never stood a chance. Like the central character in their opening number on this week's farewell dates, ‘Mrs. Simpson’, they... Continue Reading →
Recent Comments