HAS THE LOSS OF SIR HENRY’S BROKEN THE LINK WITH THE PAST?

Our latest guest post is from Kilian McCann. Kilian is a sociology and history undergrad from Cork city. This year, he finished a research project analysing the Cork music scene. One of the major aspects of the study was the disconnect that young people have with past artists in the scene. The post below is... Continue Reading →

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THE LONG FELLA

Fanning Sessions My mother died almost one year ago and my family will mark that first anniversary as she’d have wanted: a quiet mass for the handful, a decent feed afterwards and then a long trade of general tittle-tattle during which we’ll remind ourselves of the quirks that set her apart and the exacting standards... Continue Reading →

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PAUL SIMON’S ‘ HEARTS AND BONES’.

PaulSimon.com Paul Simon’s 1983 album, ‘Hearts And Bones’, is easily one of my favourite elpees even if it took me many years to realise just how magnificent it is. Released in the same year as R.E.M.’s ‘Murmur’, ‘War’ by U2 and New Order’s ‘Power, Corruption And Lies’, it was certainly lost in the hail of... Continue Reading →

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CATCHERS: CALL THE MIDWIFE

One of the more interesting, eloquent and barely referenced bands to have emerged from Northern Ireland during the 1990s are Catchers, who first took shape within the Portrush-Coleraine-Portstewart triangle on the Derry coastline and rode in the Setanta Records colours, for whom they made two fine but often over-looked elpees. And in many respects their... Continue Reading →

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STEELY DAN AND THE GHOST OF PERRY COMO

Having wondered if I’d ever see one of my favourite bands perform live, I’ve now been rendered dumbstruck by Steely Dan twice in sixteen months. And they’ve been every bit as magnificent on the live stage as I long imagined they might be even if, truth be told, I’d probably arrived at that conclusion well... Continue Reading →

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